Plot: A fictionalized account of the latter part of the life of French artist (1864-1901) is presented, he who is arguably most renowned professionally for immortalizing the characters of the Paris can-can dance hall, the Moulin Rouge, on canvas. This phase of his story begins in 1890. Born into aristocracy, Toulouse-Lautrec moves to Paris to pursue his art as he hangs out at the Moulin Rouge where he feels like he fits in being a misfit among other misfits. His misfit status is due to his diminutive physical stature, his legs which were broken and stopped growing following a childhood fall down some stairs. Because of the way he looks, he believes he is never destined to experience the true love of a woman. That lack of love in his life may change as he meets two women. The first is prostitute Marie Charlet, who he saves from imprisonment in a white knight act. Their relationship ends up being a turbulent one, the downs where each feels the need to hurt the other with their core issues, namely Toulouse-Lautrec's disability and Marie's profession. The second is socialite Myriamme Hayam. In more indirect acts, Toulouse-Lautrec also ends up being her savior, one of those indirect acts being his painting, one which she has purchased, its subject making her reflect on what she sees as the troubles with her own life
Alternative Plot: Visually exquisite biopic of Toulouse-Lautrec, the crippled painter whose work perfectly captured the spirit of bohemian Paris in the naughty 1890s. Portrayed as an embittered loner, he is tormented by his doomed relationships with prostitute Marie Charlet and sympathetic model Myriamme.
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